Vogue 9187

Saturday October 17, 2020

Vogue 9187

This top is part of my Work from Home Module. On the right is my wearable test fit, and the left is the fabric I selected for the module.

The pattern is described as a “top (close-fitting through bust) with neckline variations, side-front and side-back princess seams, front hemline slits, and back zipper”. I would add it has neck facings and a quite large hem facing. It’s a re-issue of a 1960 pattern. Here’s the envelope & line drawings.

Vogue 9187 pattern envelope

I made view D and added the sleeves, in size 12 at the shoulders, grading to 14 just below the bust (I’m 35″, 29″, 40″). I knew that with a separating zipper in the back, I would never wear the top — getting the zipper started and zipped up by myself would be impossible. Instead I cut the back piece on the fold, intending to put an invisible zipper in the side seam. But the top fits over my head just fine without the zip, and with no zipper, this is a very easy sew. I suspect this wouldn’t be the case for the other views with the narrower neckline.

The other alteration I made was to the sleeves. I don’t like the length, so I made them more of a cap sleeves. I found this post useful in figuring out how to change the sleeve pattern piece. Here’s a very rough sketch of sleeve, with my change marked in red.

For my test fit, I used some leftover linen. I made 2 alterations: I’m really an A cup and the top is drafted for a B, so I took the princess seams in. Second there was too much fabric above my bust, so I took the shoulder seams up about 1/2″. The top is quite cropped. I usually shorten most patterns by about 2″ (I’m 5’3″) but this didn’t need to be shortened. If you’re taller than me, you might want to check the length.

I was so pleased with it after I got it basted, I decided to finish it and practice my top stitching. Here’s a close-up of the top stitching:

top stitching on vogue 9187

For my Work from Home Module blouse, I used a rayon crepe. I only had 1 meter, but had no trouble getting the pattern to fit.

Two design details I really like about this top are the back neckline and the hem detail:

vogue 9187 details

But maybe the best thing is that they both coordinate with the purple pants I made this summer!

Tessuti Evie Bias Skirt

Thursday October 1, 2020

For the work from home module wardrobe sew-along challenge, I planned to make the Tessuti Evie Bias Skirt. But I decided to make a test garment first, to check the size and fit. I’ve had a 2 yard piece of rayon poplin in an olive green with pink/beige dots from Workroom Social in my stash for several years. The color and print are right up my alley, but while I’ve considered it for multiple projects, it never seemed quite right. But this year I’m determined to find uses for the orphan fabric in my stash, so it got drafted for the Evie test fit.

Little did I know how much fun this would be to sew, all the new things I got to try and how happy I am with the finished skirt!

The Evie is described as a “floaty and flared midi-length bias skirt pattern and includes two versions. View A is finished with a bound waistline and side zipper opening and View B is a pull-on version with scalloped elasticised waist.” You can see Instagram examples here and at the bottom of the post I’ve listed several blog reviews that I found helpful.

The pattern is very simple, with the same piece used for both the front and back. However, the PDF includes only 1/2 the piece, you have to make a tracing to get the entire front (or back). I made a size 8 at the waist, grading out to a 10 at my hips. I’m w: 29″, h: 40″, and 5’3″.

I decided to make view A, with the zipper, as my local Joann didn’t have the needed 5/8″ elastic (but they had lots of invisible zippers). But I also didn’t have enough fabric to cut the very long bias cut waistband piece that view A called for. While I procrastinated on what to do, I asked Google about sewing bias cut skirts. I found a Mimi G sew-along for Mccall’s 7931, a very similar pattern. That pattern has a facing, not a waistband, and Mimi G used a 1″ wide strip of grosgrain ribbon instead of the facing. Problem solved! I happened to have a piece of matching (beige) 1″ grosgrain ribbon that I could use to finish the top of the skirt rather than the waistband called for in the pattern.

Mimi G’s video has some tips for working with bias cut fabric — don’t handle the fabric or let it drape over the edge of the work surface or it will stretch out. Serge the side seams before doing anything else (sort of like stay stitching). And sew both side seams of the skirt from bottom to top.

I also found another helpful youtube video: Professor Pincusion’s How to Cut and Sew on the Bias. She suggests using a narrow zigzag stitch on the seams to add in some stretch. But she also has a lot to say about pattern layout. She says that fabric has 2 biases — perpendicular to each other. And it’s important to have the front of the skirt on one bias and the back on the other.

The Tessuti pattern doesn’t have a layout diagram, but does have both grainlines indicated on the pattern. So as not to get confused, I drew the grainlines in different colors, and wrote “Use for front skirt piece” and “Use for back skirt piece” on the pattern.

Bias markings on pattern

The pattern calls for using a tear-away interfacing for both the waist and the seam where the invisible zipper is inserted. That interfacing isn’t available in the US, and Professor Pincusion recommended iron-in lightweight tricot, so that’s what I used.

I thought the skirt was a bit short when I was done, so I wanted to make the smallest baby hem I could. Enter the Ban-rol waistband stabilizer. I got some from Style Maker Fabrics. They say Ban-rol can be used “as a stabilizer and guide for sewing tiny rolled hems on even the most difficult fabrics, like rayons, sheer, and more.” It made the job so much easier!

This video does a much better just than I can of explaining how to use the stabilizer, but here’s a picture of my first test. You sew the stabilizer to the edge of the front of the fabric, then turn the stabilizer to the back, sew the hem in place, pull out the stabilizer and you’re done.

It was surprisingly easy, although slightly awkward hemming a wide skirt, as you need a piece of ban-rol that is as long as the hem. And here’s my tiny hem.

Turns out I have lots of tops and toppers to wear with my new skirt, all year round.

for winter: True Bias Nikko turtleneck and Decades of Style 3’s a Charm jacket
for fall and spring: True Bias Nikko turtleneck & self-drafted cardigan;
for summer: cropped V8772

front and back


Tessuti Evie Bias Skirt pattern

Evie on Instagram

Helpful blog posts: Fiona (Diary of a Chainstitcher), Hollydolly

Mimi G bias skirt sew-along

Professor Pincusion’s How to Cut and Sew on the Bias

Instructions for doing a baby hem with Ban-roll waistband stabilizer, which is available from Style Maker Fabrics

Work From Home Module Sew-along Plans

Thursday September 17, 2020

This past winter I really enjoyed planning and sewing for “the great module sew along” challenge on Instagram. The challenge was to sew a small capsule wardrobe of 3 tops, 2 bottoms and a topper in 6 weeks. You can see my plans here and the clothes I made here.

Whitney (TomKatStitchery on youtube and @tomkatstitcherycarmel on instagram) is hosting another challenge this fall, with the theme “Work from Home”. You can see what others are making on Instagram with the hashtag #wfhmodulesewalong.

While the theme is perfect for the pandemic and everyone staying home, I’ve worked out of my house most of my career, and even though I could wear pajamas all day, I’ve found that I’m much happier and productive if I dress in the morning as if I’m going to meet someone for lunch or coffee. I’ve been trying to build a wardrobe that I can wear most of the year — sleeveless tops for summer that I can layer with a cardigan or light jacket in spring & fall. Skirts and cropped pants that I can wear either barelegged or with tights & boots. So my plans look a bit summery, even though this is autumn sewing. But I have several cardigans, jackets and scarves to coordinate with my selections that will take me, hopefully, through winter.

For the winter/spring challenge, my color palette was olive and black. For this one, I’m going to use rust and navy:

work from home sewing challenge color palette

Here’s my sewing plan:

  1. Top #1: self-drafted woven tank with a tie in rust-colored rayon.
  2. Top #2: Vogue 1027 wrap top (the pattern is for a dress, but I’m cropping it at my hip) in a cotton jersey
  3. Top #3: Vogue 9187 in a print rayon crepe
  4. Bottom #1: Tesutti Evie bias cut skirt in the same rust colored rayon as the first top
  5. Bottom #2: self-drafted cropped pants/culottes in navy linen.
  6. Topper: Vogue 7975 in a navy cotton jacquard.

The challenge runs from Sept 1 to Oct 31, so I’ll hopefully be back to report on my progress before then.

Lastly if, like me, you enjoy seeing how and what other people plan for sewing a capsule wardrobe, there’s another challenge running at the same time called #mybodymodel3x3. It’s a drawing challenge to design a capsule wardrobe using paper doll cut-outs of 9 garments: 3 tops, 3 bottoms and 3 layers.

#thegreatmodulesewalong reveal

Monday March 23, 2020

Here is my entry for the #thegreatmodulesewalong challenge — 6 garments (3 tops, 2 bottoms and a topper) that all coordinate.

What I made

  1. Black wool jersey turtleneck (True Bias Nikko)
  2. Olive green wool jersey turtleneck (True Bias Nikko)
  3. Silk chiffon button-up (vogue 8772) [blog post here ]
  4. Ultra suede skirt (hack of new look 6106) [blog post here ]
  5. Black wool flannel cropped pants (Deer & Doe Narcisse)
  6. Olive boiled wool cropped jacket (Decades of Style 3’s a Charm)


left: Olive turtleneck, Boiled wool jacket, Black pants. center: Black turtleneck, suede skirt. right: Silk chiffon blouse, black pants

left: Black turtleneck, suede skirt. center: Silk chiffon blouse, suede skirt. right: Olive turtleneck, suede skirt, boiled wool jacket

A few comments

My biggest conundrum making this capsule was that not all olive greens go together. Actually mostly they don’t. My original plan for 2 of the tops was to use a plaid button-up I already had in my closet and some striped flannel for a second button-up. But they looked really mismatched with the jacket. I decided to substitute in a black turtleneck from a wool jersey I already had in my stash. But I had to scramble to find an appropriate fabric for my third top, as I really wanted a print. I finally found something at Mood Fabric.

I’ve worn the jacket quite a bit. It’s got a dart at the elbow, which makes the sleeves really comfortable. It’s almost like a knit cardigan. It’s such a success I’ve bought fabric to make another one.

The challenge was really fun. I didn’t get side-tracked, as I have with my Fall-Winter sewing plans, because there was a dead-line as well as lots of inspiration on Instagram.

Thanks to the hosts, Whitney (TomKatStitchery on youtube and @tomkatstitcherycarmel on instagram) and Carla (Stay Stitching on youtube and @carlamayfield5 on instagram).

Vogue 8322 review

Friday March 20, 2020

One of the garments in my Fall/Winter sewing plans is a navy blouse. I was going to use a pattern I’ve made several times before, Vogue 8772, a fitted button-up with collar & collar stand. But when I was cleaning up my sewing space, I discovered a forgotten half-done toile for a button-up with a v-neck and one-piece (camp) collar. I tried to remember why I had abandoned it — and tried it on to see how it fit.

The pattern is described on the package as a long sleeve, princess seam shirt with straight or stylized front hem. View A: snap front closure, topstitched along front opening and neck edges. View B: pointed collar variation, buttoned cuff. View C: front button closure. View C: standing collar, flared sleeve. Here’s the pattern, and my toile was for view B. ( Here are the reviews on pattern review.)

I tried on the toile and saw that although I’d cut my usual Vogue pattern size (12), the chest was much too big across the front and the shoulders were too wide. I fiddled with the princess seams until I got that sorted out, took the blouse apart and made the pattern changes.

Then I cut out the pattern in my fashion fabric — a blue silk noil. It’s a pretty straight-forward sew. The collar is one piece, which is much easier than one with a collar stand, so the tricky bits were setting the sleeves and the button holes. On the front there’s a facing from center front to the princess seam which is hand-sewn to the seam allowance. That might have been the hardest part, getting the sewing smooth in that area. I clipped the seam allowance and cut it down to about 1/4″, but it still has a bit of wiggle in the seam just above my bust.

My big mistake was putting the button holes on the wrong side, but I doubt anyone but me will notice.

The V is a bit low, and if I was to make the blouse again I would figure out how to raise it up and inch or so.

My husband took several pictures, but this was the only one in focus, as I tried to get my hair to stay out of my face.

Vogue 8772 in silk chiffon

Friday March 13, 2020

This is my third and final top for the Great Module Sewalong.

This is my sixth time making Vogue 8772 but the first using silk. Here’s the pattern. I’ve made view D with both long sleeves and no sleeves.

Vogue 8772

And here’s the fabric — a silk chiffon from Mood Fabrics.

The silk is quite thin, but soft and flow-y. In a recent Threads Magazine, there’s an article on using liquid stabilizers to treat unstable fabrics before you cut them out. One suggested stabilizer is PerfectSew. So I bought a bottle to test it out.

The Threads article says:

  1. wash & dry the fabric
  2. dip the fabric into the stabilizer and get it all wet (more on this below)
  3. roll the wet fabric in a towel to remove excess
  4. dry the fabric flat, arranging it so the grainline is straight and the fabric lies as smooth as possible.
  5. when it’s dry, iron the fabric and it’s ready to cut & sew up.
  6. after sewing, wash the finished garment by machine to get all the stabilizer out

I laid out several plastic garbage bags on the floor, and dried the wet fabric on top, as I didn’t have a surface large enough to lay the fabric flat.

But how much stabilizer to use? And the instructions on the bottle suggest diluting it if using it on garment fabric (rather than to do embroidery). But how much to dilute?

The only thing I could find on-line was a blog post by the Confident Stitch, which suggested 2 parts stabilizer to 1 part water. I tried this on a small piece of my fabric and the result was really stiff. I tried again with 1 part stabilizer to 3 parts water, and liked the results much better. The fabric was stiff but still had some drape, like a light-weight cotton.

As a happy coincidence, as I was preparing my fabric the Love To Sew Podcast had an episode on sewing with delicate fabrics. They suggested using a new micro-tex needle as well as cleaning my machine before I began sewing, so I did both those things.

Sewing the blouse wasn’t any different than the other versions I’ve made with less shifty fabric, yeah! And, bonus, I had the perfect shade of green buttons. They blend in really well so you don’t really see them.

Here’s the blouse, worn with one of the bottoms for my module.

New Look 6106 skirt with pocket hack

Tuesday March 3, 2020

The New Look 6106 skirt is one of the bottoms I’ve made for the Great Module Sewalong.

I’ve made this skirt several times, but decided quickly I didn’t like the pockets. I couldn’t get them to lie flat but the real problem was they didn’t accommodate my iphone. Here’s the pattern.

I made the skirt without the pockets, but missed them. Then I saw a Vogue sewing pattern of a Rachel Comey skirt with pockets in a horizontal seam in the front of the skirt.

Vogue 1247

It’s Vogue 1247, unfortunately out of print, but lots and lots of sewists have made it and blogged about it. There are many photos of how the pockets are attached — for instance this post by Diary of a Chainstitcher.

Here’s what I did to modify the pattern:

Here’s the first one I made, as a test, using a decor corduroy fabric remnant I got at Joann. As I look at the picture, I probably should have moved the pockets down a bit, but in reality I only use them for my phone, not my hands!

And here’s the one I made for the module sewing challenge. The fabric is an olive ultra suede from Gorgeous Fabrics. I underlined it with silk organza, so the hem wouldn’t show (I hand stitched the hem to the organza rather than the ultra suede). The suede is a bit sponge-y and the side seems didn’t lie very flat, so I also catch-stitched the seam allowance to the organza, which made them behave much better. It’s also lined, so it won’t stick to my tights.


Monday February 24, 2020

At the end of November I put together my Fall/Winter sewing plans, excited to have pieces that would all work together. I made the first top — a True Bias Nikko Turtleneck — and realized that I needed them in all the colors. So I’ve used much of my sewing time doing just that, rather than making the other items in my list. I now have an olive turtleneck, as well as black, brown, paprika, and navy — all in heavy rotation.

I’ve made some progress with several of the other things on my list, but got stuck with a fitting failure on the pants I was hoping to make.

Then along came the Great Module Sew-along, an instagram challenge to make a small capsule wardrobe (3 tops, 2 bottoms and a topper) by the end of March. It’s hosted by Whitney (TomKatStitchery on youtube and @tomkatstitcherycarmel on instagram) and Carla (Stay Stitching on youtube and @carlamayfield5 on instagram). It’s been inspiring to watch what other sewists have planned to make, and are already making. I decided to join in, to give me a nudge to make more progress on my Fall/Winter plan.

I’m modifying my original plan a bit to fit into the challenge format. They are loose with the rules, so items you’ve already made are allowed. Here’s my fabric choices

Fabric choices for The Great Module Sewalong

From the top:

  1. Flannel for a button up (vogue 8772)
  2. Wool jersey for a turtleneck (True Bias Nikko)
  3. Flannel for another button up (vogue 8772)
  4. Ultra suede for a skirt (hack of new look 6106)
  5. Wool flannel bottom weight for pants (Deer & Doe narcisse)
  6. Boiled wool for a cropped jacket (Decades of Style 3’s a charm)

I’m a bit unsure of the fabric choices for the 2 button ups — the greens aren’t quite right and I don’t know if they’ll fit under the cropped jacket. But we’ll see…

And sketches I made of the (hopefully) resulting outfits.

Sketches of my six outfits for The Great Module Sewalong

Seamwork Elmira Wrap Sweater

Wednesday January 8, 2020

As part of my Fall/Winter sewing plans, I wanted to make a layer that wasn’t a standard button up cardigan. I have the Seamwork Elmira ballet wrap top pattern and decided to give it a try. The Elmira is a cropped, fitted ballet wrap with 3/4 sleeves and long ties. Two examples that got me interested in trying the pattern are Meg at Cookin’ & Craftin’ and Sewrendipity’s on instagram. You can see lots more examples on Instagram here.

I haven’t had much luck with Seamwork patterns in the past. Both woven pieces I attempted required a lot of fitting changes and I gave up on them. But this is a knit, so I thought it might be more forgiving. Most blog posts I read about the pattern didn’t mention fit issues, but before I cut into my expensive wool jersey, I tried out the pattern with some left-over ITY in my stash.

I made a few changes before I cut my fabric:
1) Lengthened it 2″ as it seemed awfully short
2) Lengthened the sleeves 2″
3) Shortened the ties.
4) The front of the wrap is 2 layers but the back is only one. The back neckline is just folded and stitched. Lots of other bloggers complained about this, so I made the back 2 layers as well.

Once I had the pieces cut out, I used some lightweight fusible interfacing on the shoulders and neckline so they wouldn’t stretch out.

The instructions were good and the construction straight-forward. I did most of the sewing on my serger.

Here’s the picture Seamwork uses to show off the Elmira. Mine looks very similar (except for the long ties), but if I was to make this again, I would go up a size, to to get more front coverage, like Meg does here.

Looking at all the Instagram examples, I think the wrap looks best over a dress. I’ve tried it with my turtleneck tucked and out, and I prefer the shirt out.

Seamwork Elmira wrap top, True Bias Nikko turtleneck, self-drafted pants

I’m glad I made this up in the ITY before committing to my plan of making it in my merino jersey. I’d rather have something a bit longer. Here are 2 other patterns I’m considering: the Cashmerette Appletop wrap top hack (below left) or the Trish Newbery wrap cardigan (below right).

Jalie Charlie Bomber Jacket

Wednesday January 1, 2020

Last spring I realized I needed a light-weight jacket to wear on my daily walk. I quickly decided to make Jalie’s Charlie Bomber Jacket, an unlined jacket with a zipper front, welt pockets and ribbing at the collar, cuff and waistband. The first one I made is a bit oversized and the sleeves are too long, but it’s perfect for its intended purpose. This fall, I made another one out of a quilted knit (above), as part of my fall/winter sewing plans. This one is meant for colder weather — it’s lined with micro-fleece. There’s a close-up below.

The Charlie Bomber is one of those patterns that looks more complicated that it is — I’m an “adventurous beginner” when it comes to garment sewing, and this was easy to construct, especially with their video tutorial. I’m glad I made the unlined version first — although the collar-to-zipper connection is pretty dodgy — it made the lined (& bagged) version easier to understand. There’s a Jalie blog post on lining the jacket here.

My only complaint about the pattern isn’t about the pattern itself or the instructions — it’s about the ribbing requirement. The pattern says you need 1/3 of a yard — but ribbing (especially the striped / multicolored ones) doesn’t come that way. It’s sold in strips. And I discovered the strips really aren’t long enough and need to be pieced (for an adult jacket). I guessed on my first ribbing order and bought 2 strips — not quite enough for the waistband, collar and cuffs — and I should have ordered 3. And you might ask, as I did, what width strip should be… you have to read the pattern to figure out it’s 6 inches.

Botani seems to sell the widest variety ribbing in the US (online, anyway). But as I looked at their offerings, I was baffled about what weight and fabric composition I should get for the solid black ribbing I was after. I own a ready-to-wear jacket with ribbing that is thick, soft and seems like a natural fiber — could I find something like that? Ah the problem of living in a city that has only a JoAnn! In the end I ordered several different kinds of ribbing from Botani, and when they arrived, used this cotton one.

Some notes about the pockets. First, the welt is formed from the pocket pouch fabric. So while I would have liked the inside of the pocket to be my fleece lining, it’s the not-so-cozy outer fabric. Second, while my iphone fits in the pocket, it doesn’t feel very secure as the pocket isn’t very deep. If I make another one, I would include an interior pocket in the lining.

I also got a very useful tip from the video tutorial. She has you baste the zipper to the jacket using a wide zig zag stitch at the edge, with part of the stitch on the fabric and a little off. I’ve since used this method to baste together the folded collar for a turtleneck before attaching it to the neckline. It effectively makes the collar one layer. Here’s a snap from the video showing what I mean:

My review:

Pattern Description: Bomber jacket for stable knits or stretch woven. Zippered front. Ribbing collar, cuffs and waistband. Welt pockets with the welt forming from the pocket pouch fabric. Forward shoulder seam.

Pattern Sizing: Jalie sizing, 27 sizes included, from 2 yr toddlers to women size 22.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes.

Were the instructions easy to follow? Yes, especially with the video tutorial. This was my first welt pocket and separating zipper installation, and I didn’t have any problems. I liked the new-to-me basting method for knit fabrics from the video.

What did you particularly like or dislike about the pattern? Mostly likes. I would like deeper pockets, and I thought the info about ribbing was lacking (see above).

Fabric Used: Pre-quilted black stable knit for the body, micro-fleece for the body lining, and a rayon lining with a bit of stretch for the arms. (I thought it would be hard to get my arms into the sleeves with fleece.)

Pattern alterations or any design changes you made: I added a hang loop on inside back. I took 2 inches off the body and 1-1/2″ off the sleeves.

Would you sew it again? Would you recommend it to others? Yes and yes. If I make another one I would add an inside pocket for my phone. Also, I’d change the collar from ribbing to a standing collar for added warmth. This Pattern Review review talks about how she changed the collar to do just that.